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1962–1962. Features. Mars in fiction. Mars Attacks is a science fiction -themed trading card series released in 1962 by Topps. The cards feature artwork by science fiction artists Wally Wood and Norman Saunders. [2] The cards form a story arc, which tells of the invasion of Earth by cruel, hideous Martians under the command of a corrupt ...
Len Brown (comics) Len Brown (born October 7, 1941) is an American writer, editor, radio personality and comic book scripter, best known as the co-creator of T.H.U.N.D.E.R. Agents and Mars Attacks. [1] [2] Born in Brooklyn, Brown began working in the Product Development Department of Topps Chewing Gum shortly after he graduated from high school.
Box office. $101.4 million. Mars Attacks! is a 1996 American black comedy science fiction film [3] directed by Tim Burton, who also co-produced it with Larry J. Franco. The screenplay by Jonathan Gems was based on the Topps trading card series of the same name. The film features an ensemble cast consisting of Jack Nicholson (in a dual role ...
The following is a list of non-sports trading cards collections released among hundreds of card sets. The list includes different types that are or have been available, including animals , comics , television series , motor vehicles and movies , among others:
The tone of the unrealized project, as described by Anthony Frewin in The Kubrick Archives, is a cross between The War of the Worlds and Mars Attacks!. Lunatic at Large. On November 1, 2006, Kubrick's son-in-law Philip Hobbs announced that he would be shepherding a film treatment of Lunatic at Large.
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Artist trading cards (ATCs) is a conceptual art project initiated by the Swiss artist M. Vänçi Stirnemann in 1997. He called it a Collaborative Cultural Performance . Artist trading cards are 2.5 by 3.5 inches in size, the same format as modern trading cards ( hockey cards or baseball cards ) or playing cards .
Topps Company, Inc. [1] Topps Comics was a division of Topps Company, Inc. that published comic books from 1993 to 1998, beginning its existence during a short comics-industry boom that attracted many investors and new companies. It was based in New York City, at 254 36th Street, Brooklyn, and at One Whitehall Street, in Manhattan .