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List of jazz contrafacts. A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was ...
Audio. "Once in a Lifetime" on YouTube. " Once in a Lifetime " is a song by the American new wave band Talking Heads, produced and cowritten by Brian Eno. It was released in January 1981 through Sire Records as the lead single from the band's fourth studio album, Remain in Light (1980). Eno and Talking Heads developed "Once in a Lifetime ...
That is, when the first goes up, the second goes down the same number of diatonic steps (with some chromatic alteration); and when the first goes down, the second goes up the same number of steps. In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of ...
On the Threshold of a Dream. (1969) Singles from In Search of the Lost Chord. "Voices in the Sky". Released: 28 June 1968. "Ride My See-Saw". Released: 12 October 1968. In Search of the Lost Chord is the third album by the Moody Blues, released in July 1968 on the Deram label.
The floor of the ocean off the coast of the Pacific Northwest has sprung a leak called Pythia's Oasis. Here's what that means. Oh Dear, There's A Hole In The Bottom Of The Ocean
Marine sediment. v. t. e. The seabed (also known as the seafloor, sea floor, ocean floor, and ocean bottom) is the bottom of the ocean. All floors of the ocean are known as 'seabeds'. The structure of the seabed of the global ocean is governed by plate tectonics. Most of the ocean is very deep, where the seabed is known as the abyssal plain.
Hilton Head Island lifeguards received three reports of apparent shark bites in July. Although injuries were minor, the number represents an unusual spike relative to typical summer months.
[3] Roisin O'Connor labelled the Beastie Boys sample as "Superb" and called Ocean's appearance "exquisite, blissful even, as his signature, rich-yet-husky voice floats over delicate chords" [4] Somewhat contrary, while praising Ocean's hook, The Fader's Ben Dandridge-Lemco found the verses to be "Unremarkable". [5]