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  2. Aspect ratio (image) - Wikipedia

    en.wikipedia.org/wiki/Aspect_ratio_(image)

    The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, width:height. Common aspect ratios are 1.85:1 and 2.40:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography .

  3. Take 20% Off Raycon Earbuds, Headphones and Speakers ... - AOL

    www.aol.com/entertainment/20-off-raycon-earbuds...

    These Basic Earbuds. The Work Earbuds Classic. Raycon. For everyday wear that’s easy to take in and out, these buds are the perfect pick! See it! Get The Work Earbuds Classic (originally $120 ...

  4. Univisium - Wikipedia

    en.wikipedia.org/wiki/Univisium

    The 1998 game Metal Gear Solid used the Univisium aspect ratio for its cutscenes, while the game itself is in a 1.43:1 aspect ratio slightly letterboxed in a 4:3 screen. The 2017 game Sonic Forces used the Univisium aspect ratio for its cutscenes, both in-game and pre-rendered while the game itself is in 16:9.

  5. 21:9 aspect ratio - Wikipedia

    en.wikipedia.org/wiki/21:9_aspect_ratio

    21:9 aspect ratio. " 21:9 " ("twenty-one by nine" or "twenty-one to nine") is a consumer electronics (CE) marketing term to describe the ultrawide aspect ratio of 64:27 (2. 370 :1 or 21. 3 :9), designed to show films recorded in CinemaScope and equivalent modern anamorphic formats. The main benefit of this screen aspect ratio is a constant ...

  6. Anamorphic widescreen - Wikipedia

    en.wikipedia.org/wiki/Anamorphic_widescreen

    Anamorphic widescreen (also called full-height anamorphic or FHA) is a process by which a comparatively wide widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution.

  7. Super Panavision 70 - Wikipedia

    en.wikipedia.org/wiki/Super_Panavision_70

    The Master (2012) – The projected frame on 70mm release prints (and all digital prints) were "hard matted" to 1.85:1, clipping the sides and throwing away 16.3% of the full frame exposed on the 2.20:1 aspect ratio 65 mm negative. About 85% of the film was photographed in Panavision System 65; the rest was shot in spherical 35 mm with a 1.85:1 ...