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Ray Charles had three number ones in 1962. His recording of "I Can't Stop Loving You" was the year's longest-running chart-topper.In 1962, Billboard published a chart ranking the top-performing songs in the United States in rhythm and blues (R&B) and related African American-oriented music genres; it was published under the title Hot R&B Sides through the issue of the magazine dated October 27 ...
Download as PDF; Printable version ... Billboard Top R&B Records of 1961 is the year-end chart compiled by Billboard magazine ranking the top rhythm ... 1961 in music ...
Billboard Top R&B Records of 1954 is made up of two year-end charts compiled by Billboard magazine ranking the year's top rhythm and blues records based on record sales and juke box plays. [1] Retail
Charli XCX Scores Her First U.K. No. 1 Single in Over a Decade. Charli is back at No. 1 in the U.K. following the surprise release of a “Guess” — a song from her latest offering, “Brat ...
R&B Showcase Radio Show is a program originally created and hosted by American radio personality Tim Marshall. The show began in 1986, and features classic to contemporary rhythm and blues music with a focus on preserving the legacy of the pioneer recording artists. The broadcasts include music news, show reviews, concert updates and in-depth ...
Hot R&B Songs is a chart released weekly by Billboard in the United States. It lists the 25 most popular R&B songs, calculated weekly by airplay on rhythmic and urban radio stations, digital download sales and streaming data. [1] It was established on October 11, 2012, as a way to highlight "the differences between pure R&B and rap titles in ...
Category. : Rhythm and blues record labels. This is a category for record labels that released rhythm and blues music. Labels (1980s–present) that release contemporary R&B should be categorized under Category:Contemporary R&B record labels .
Ruth Brown was known as the "Queen of R&B". [1] Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz ...