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  2. Ray J - Wikipedia

    en.wikipedia.org/wiki/Ray_J

    Sanctuary. Atlantic. Elektra. EastWest. Musical artist. Website. rayj .com. William Ray Norwood Jr. (born January 17, 1981), [1] known professionally as Ray J, is an American R&B singer, songwriter, television personality, and actor. Born in McComb, Mississippi, and raised in Carson, California, he is the younger brother of singer and actress ...

  3. Take 20% Off Raycon Earbuds, Headphones and Speakers ... - AOL

    www.aol.com/entertainment/20-off-raycon-earbuds...

    Raycon has an amazing selection of best selling earbuds, headphones and more which rival the most popular brands — but best of all, they’re significantly less expensive. And right now, you can ...

  4. Reel-to-reel audio tape recording - Wikipedia

    en.wikipedia.org/wiki/Reel-to-reel_audio_tape...

    3 + 3 ⁄ 4 in/s and 7 + 1 ⁄ 2 in/s are the speeds that were used for (the vast majority of) consumer market releases of commercial recordings on reel-to-reel tape. 3 + 3 ⁄ 4 in/s is also the speed used in 8-track cartridges. 1 + 7 ⁄ 8 in/s is also the speed used in Compact cassettes.

  5. Overproduction (music) - Wikipedia

    en.wikipedia.org/wiki/Overproduction_(music)

    There is little consensus among music critics or producers about when the use of an effect or production technique becomes excessive. For this reason, some producers consider the term unhelpful, confusing, and subjective. Current trends. The excessive use of dynamic range compression has been bemoaned by critics as part of the "loudness war".

  6. Auto-Tune - Wikipedia

    en.wikipedia.org/wiki/Auto-Tune

    At the 51st Grammy Awards in early 2009, the band Death Cab for Cutie made an appearance wearing blue ribbons to protest against the use of Auto-Tune in the music industry. Later that spring, Jay-Z titled the lead single of his album The Blueprint 3 as "D.O.A. (Death of Auto-Tune)". Jay-Z elaborated that he wrote the song under the personal ...

  7. What Headphones? - Wikipedia

    en.wikipedia.org/wiki/What_Headphones?

    The album was reviewed by Richard S. Ginell at Allmusic who wrote that it was Previn's "best album since his return to jazz at the close of the 1980s, and also the most surprising and unpredictable one of his entire jazz life". Ginell highlighted the title track, which he wrote was "almost avant-garde in its erudite looniness".