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"The Destruction of Sennacherib" is a poem by Lord Byron first published in 1815 in his Hebrew Melodies (in which it was titled The Destruction of Semnacherib). The poem is based on the biblical account of the historical Assyrian siege of Jerusalem in 701 BC by Assyrian king Sennacherib, as described in 2 Kings 18–19, Isaiah 36–37.
The Song of Eärendil is the longest poem in The Lord of the Rings. In the fiction, it is sung and composed by the Hobbit Bilbo Baggins in the Elvish sanctuary of Rivendell. It tells how the mariner Eärendil tries to sail to a place of paradise, and acquires a Silmaril, a prized sun-jewel. Eventually he and his ship are set in the heavens to ...
The cosmology of J. R. R. Tolkien 's legendarium combines aspects of Christian theology and metaphysics with pre-modern cosmological concepts in the flat Earth paradigm, along with the modern spherical Earth view of the Solar System . The created world, Eä, includes the planet Arda, corresponding to the Earth.
Viserys and Alicent’s last conversation wasn’t much of a conversation at all. Viserys was shown moaning in bed in the eighth episode of Season One as Alicent tended to him. They spoke briefly ...
You Are Old, Father William. " You Are Old, Father William " is a poem by Lewis Carroll that appears in his 1865 book Alice's Adventures in Wonderland. It is recited by Alice in Chapter 5, "Advice from a Caterpillar" (Chapter 3 in the original manuscript). Alice informs the Caterpillar that she has previously tried to repeat "How Doth the ...
Here’s a closer look at why full RTO is better than WFH or hybrid work for businesses and employees. Facilitating work-life balance. Many employees report higher productivity when working from home.
Matthew McConaughey was stung by a bee, but he seems alright, alright, alright. On July 10, the “Interstellar” actor concerned fans when he shared a selfie on Instagram of his eye swollen shut ...
Reading of "Nothing Gold Can Stay". " Nothing Gold Can Stay " is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]