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S. SB19. Side A (group) South Border (band) Categories: Filipino musical groups by genre. Contemporary R&B musical groups.
Gaudencio Sillona III [fn 1] (born February 1, 1981), known professionally as Jay R, is a Filipino-American [1] singer, songwriter, record producer, actor and model. In 2003, he released his debut album, Gameface, under Universal Records. [2] The album was certified platinum by the Philippine Association of the Record Industry (PARI), receiving ...
Contemporary R&B. Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music . The genre features a distinctive record production style and a smooth, lush style of vocal arrangement. Electronic influences and the use of hip hop or dance -inspired beats ...
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ...
Kai was the first of many Filipino American R&B/pop artists/groups of the late 1990s and early 2000s that flooded the independent music scene throughout California, the state with the largest Filipino American population in the United States, especially in the San Francisco Bay Area. Other groups and artists included in this influx were Jocelyn ...
Z. Jake Zyrus albums (5 P) Categories: Contemporary R&B albums by artist nationality. Albums by Filipino artists by genre.
Yubs Esperat. Side A is a Filipino pop band formed in 1985. They gained recognition in the Filipino music scene in the late 1980s through to the early 2000s. They are best known for their single "Forevermore." In 1993, the group's third album went triple platinum and in the mid-1990s, Side A garnered two Awit Awards.
Manila sound. Manila sound is a musical genre that began in the mid-1970s in the city of Manila. The genre flourished and peaked in the mid to late-1970s. It is often considered the "bright side" of the Philippine martial law era and has influenced most of the modern genres in the country, being the forerunner to OPM .