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Maybe Happy Ending (Korean: 어쩌면 해피엔딩; RR: eojjeomyeon haepiending; lit."Maybe a happy ending") is an original South Korean one-act musical with music composed by Will Aronson, lyrics written by Hue Park, and book written by both Aronson and Park.
"My Boomerang" is not exactly a paragon of political correctness, even by 1961 standards. In the song an Aboriginal meeting is described as a "pow-wow"—something more appropriate for Native Americans—while their chanting sounds more African than Aboriginal. (Oddly, many of the Aboriginal speakers in the song have either American or British ...
An earworm happens when you have the “inability to dislodge a song and prevent it from repeating itself” in your head, explains Steven Gordon, M.D ., neurologist at UC Health and assistant ...
"For What It's Worth (Stop, Hey What's That Sound)" (often referred to as simply "For What It's Worth") is a song written by Stephen Stills. Performed by Buffalo Springfield, it was recorded on December 5, 1966, released as a single on Atco Records in December 1966 and peaked at No. 7 on the Billboard Hot 100 chart in the spring of 1967.
Peso Pluma’s “Éxodo” double album — the follow-up to the Mexican singer and rapper’s chart-topping debut, “Génesis” — has a long and thoughtfully curated guestlist. The 24-song ...
A charge to keep I have, A God to glorify, A never-dying soul to save, And fit it for the sky; To serve the present age, My calling to fulfil: O may it all my powers engage To do my Master’s will! Arm me with jealous care, As in thy sight to live, And O! thy servant, Lord, prepare A strict account to give: Help me to watch and pray, And on ...
For Skiba, the unity of the band during the recording process helped solidify their friendships. "I now know my place better in Blink than I did years ago. We're always learning," he said. Musically, Nine infuses hip hop-inspired programming, electronics, and modern recording techniques into the band's punk rock sound. "Making sure Blink isn't ...
Toné! " Diary " is a song by American singer-songwriter Alicia Keys from her second studio album, The Diary of Alicia Keys (2003). Written by Keys and Kerry Brothers, Jr. and produced by Keys, the song features the American group Tony! Toni! Toné! on bass, piano, guitar, organ and Wurlitzer, while Jermaine Paul provides uncredited additional ...