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A wireless microphone, or cordless microphone, is a microphone without a physical cable connecting it directly to the sound recording or amplifying equipment with which it is associated. Also known as a radio microphone , it has a small, battery-powered radio transmitter in the microphone body, which transmits the audio signal from the ...
Record up to 100 live shows at once. Save recordings for up to one year. Cost: $9.99 per month. If you’re using the set-top box/cable receiver box, you’re paying $12.99 per month for single ...
The microphone's diaphragm is placed between the two ports; sound arriving from an ambient sound field reaches both ports more or less equally. Sound that's much closer to the front port than to the rear will make more of a pressure gradient between the front and back of the diaphragm, causing it to move more.
XLR connectors (mid-50s to today) Most commonly used on professional microphones, the common 3-pin XLR connector is a standard for transferring balanced audio among professional audio equipment. The 4-pin XLR is the standard connector for intercom headsets, such as systems made by Clear-Com and Telex. Two pins are used for the mono headphone ...
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Crystal radios were the first widely used type of radio receiver, [11] and the main type used during the wireless telegraphy era. [12] Sold and homemade by the millions, the inexpensive and reliable crystal radio was a major driving force in the introduction of radio to the public, contributing to the development of radio as an entertainment ...
A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule (s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule (s) are typically mounted in a flat plate or housing. The arrangement provides a directional half-space pickup pattern ...
The Box, originally named the Video Jukebox Network, was an American broadcast, cable and satellite television channel that operated from 1985 to 2001. The network focused on music videos, which through a change in format in the early 1990s, were selected by viewer request via telephone; as such, unlike competing networks (such as MTV and VH1), the videos were not broadcast on a set rotation.