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Released: January 1973. "For My Lady". Released: January 1973. "You And Me". Released: 1973. Seventh Sojourn is the eighth album by the Moody Blues, released in October 1972. The album reached No. 5 in the United Kingdom, and became the band's first American chart-topper, spending five weeks at No. 1 there to close out 1972.
Octave is the ninth album by the Moody Blues (the eighth by this particular line-up), released in 1978, and their first release after a substantial hiatus following the success of the best-selling Seventh Sojourn in 1972. Released after a considerable break, which saw The Moody Blues returning in an era of punk music and disco, Octave produced ...
Allmusic. [ 1] Rolling Stone. (average) [ 2] Uncut. [ 3] Every Good Boy Deserves Favour is the seventh album by The Moody Blues, released in 1971. The album reached No. 1 on the British album chart, in addition to a three-week stay at No. 2 in the United States, and produced one top-40 single, "The Story in Your Eyes".
A-side on Seventh Sojourn/B-side on Every Good Boy Deserves Favour "Nights in White Satin" B b/w "Cities" 9 8 1 — 2 1 37 — A-side on Days of Future Passed/B-side non-album track 1973 "I'm Just a Singer (In a Rock and Roll Band)" b/w "For My Lady" 36 39 16 4 12 8 — — Seventh Sojourn: 1978 "Steppin' in a Slide Zone" b/w "I'll Be Level ...
Days of Future Passed is the second album and first concept album by English progressive rock band the Moody Blues, released in November 1967 by Deram Records. [ 5] The album represents a significant creative turning point for the band. The album is their first with guitarist and singer Justin Hayward in place of Denny Laine and bassist John ...
On the Threshold of a Dream is the fourth album by the Moody Blues, released in April 1969 on the Deram label. The album reached the top of the album charts, the group's first No. 1 album in the UK. [1] According to guitarist Justin Hayward, "I think Threshold is the defining album for the Moody Blues. And it's the one in the '60's that you ...
[18] The song is sung by the band's four singers, though Edge made an attempt at singing the song during the sessions. "The Tortoise and the Hare", written by bassist John Lodge, takes direct inspiration from the fable by Aesop. He sees the song as a metaphor for the band: "It was really a sort of analogy, really, of the Moody Blues.
The album was recorded, between June and December 1974, at Threshold Westlake Audio Studios in West Hampstead, London. [ 4] On 10 March 1975 Blue Jays made its debut in the form of a staged playback of the album at Carnegie Hall. Hayward and Lodge wanted to pipe the music into the street, but New York police said they feared a traffic jam. [ 5]