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A piece for two pianists performing together on separate pianos is a "piano duo". "Duet" is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet. A musical ensemble with more than two solo instruments or voices is called a trio, quartet, quintet, sextet, septet, octet, etc.
According to the Grove Dictionary of Music and Musicians, there are two kinds of piano duet: " [pieces of music] for two players at one instrument, and those in which each of the two pianists has an instrument to themselves." In American usage the former is often referred to as "piano four hands". [1] Grove notes that the one-piano duet has the ...
In Genre, instrumental pieces are distinguished as orchestral and chamber music, particularly that for piano. The group of stage works contains operas, ballets and incidental music, while film scores are marked separately. Sacred and secular music for voice is divided in choral, for cantatas and motets, and vocal, holding songs and song cycles.
This is a list of notable performers who appeared as piano duos in classical music. Most of these pianists performed works for piano four-hands (two pianists at one piano; also known as piano duet) as well as works for two pianos, often with orchestras or chamber ensembles. Some of these teams focussed exclusively or predominantly on this ...
Op. 56, Studies in the Form of Canons for Organ or Pedal Piano (Etuden in kanonischer Form für Orgel oder Pedalklavier) (1845; also known in arrangements for piano trio) Op. 58, Sketches for Organ or Pedal Piano (Skizzen für Orgel oder Pedalklavier) (1845) Op. 60, 6 Fugues on B–A–C–H for organ or pedal piano (1845)
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soloists, chorus and orchestra. in 3 acts; libretto by Christopher Hassall after Geoffrey Chaucer; revised 1963 and 1976. Opera. 1967. The Bear, An Extravaganza. soloists and small orchestra. in 1 act; libretto by Paul Dehn and the composer based on the play by Anton Chekhov. Ballet. 1935.
v. t. e. Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces.