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Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 (384a) Fantasy in C minor for violin and piano, K. 396 (385f) Piano Sonata in C minor, K. 457 ...
These variations are in C major. Var. XII is marked "semplice", so it should not be overplayed, while XIII is even quieter. Var. XIV has staccato thirds, and XV and XVI contain numerous, albeit slow, octaves. Marks the return of the minor and is marked "dolce", implying that it should be played more quietly.
During the Classical era, C minor was used infrequently and often for works of a particularly turbulent cast. [citation needed] Mozart, for instance, wrote only very few works in this key, but they are among his most dramatic ones (the twenty-fourth piano concerto, the fourteenth piano sonata, the Masonic Funeral Music, the Adagio and Fugue in C minor and the Great Mass in C minor, for instance).
Theme C più lento (slower) — a sostenuto in the parallel key of C ♯ minor (D ♭ major, enharmonic equivalent to C ♯ major). Besides the slower general pace, the melody is in quarter notes except for a few flourishes in eighth notes, giving this section the quality of an interlude before the dramatic restatement of Theme B.
The Nocturne No. 20 in C♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin, with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C minor, BWV 871; Prelude in C ...
See media help. Fantasia No. 4 in C minor, K. 475 is a composition for solo piano composed by Wolfgang Amadeus Mozart in Vienna on 20 May 1785. [1] It was published as Opus 11, in December 1785, together with the Sonata in C minor, K. 457, the only one of Mozart's piano sonatas to be published together with a work of a different genre. [2]
In the C minor Mass too there were moments at which Mozart seemed a different composer than the one that most people thought him to be. Bernstein began the "Kyrie" at a slow pace that got even slower as the section continued. He conducted Mozart's reiterated seven-note setting of the word "eleison" in the "Christe eleison" passage like a lover ...