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Telemann's solo flute fantasias are alone in the Baroque repertoire to include movements seemingly impossible on flute: fugues (fantasias 2, 6, and 8–11), a French overture (fantasia 7) and a passacaglia (fantasia 5). [3] In 2012, an arrangement for viola solo was published by Euprint. [4]
Bachianas Brasileiras No. 6 for flute and bassoon; Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib; Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon; Carl Maria von Weber:
The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach. Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto, for example, it must have been written after 1723. [1]
The sonatas and partitas for solo violin ( BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during ...
Suite Antique. Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. [1] [2] Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. [3]
The Sonata in B minor for transverse flute and obbligato harpsichord by Johann Sebastian Bach ( BWV 1030) is a sonata in 3 movements: The existing autograph manuscript dates from after 1735, when Bach led the Collegium Musicum in Leipzig. There are errors in the manuscript, and another harpsichord part in G minor that is otherwise the same ...