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Mariah Carey (pictured in 2010) had her first chart-topper with "Vision of Love".. Billboard published a weekly chart in 1990 ranking the top-performing singles in the United States in African American–oriented genres; the chart's name has changed over the decades to reflect the evolution of black music and has been published as Hot R&B/Hip-Hop Songs since 2005. [1]
The songs on the album are a blend of funk (Watkins), hip-hop (Lopes), and R&B (Thomas), similar to the new jack-swing sound popularized by producer Teddy Riley in the late 1980s. [14] The album was a critical and commercial success, being certified quadruple-platinum for shipments of four million copies in the United States.
"Get Money" is a song by the American rap group Junior M.A.F.I.A., released as the third and final single from their debut album Conspiracy (1995). "Get Money," whose instrumental is fundamentally a sample of R&B singer Sylvia Striplin's 1981 song "You Can't Turn Me Away," was produced by EZ Elpee, rapped by the Notorious B.I.G. and Lil' Kim, and received a music video.
Bad Boy Entertainment, doing business as Bad Boy Records, is an American record label founded in 1993 by Sean "Puffy" Combs. [ 3][ 4] During the mid 1990s, the label signed numerous artists including Craig Mack, The Notorious B.I.G., Faith Evans, Mase, 112, Total, The Lox, Shyne and Carl Thomas. At its 1997 peak, Bad Boy was worth an estimated ...
"Mo Money Mo Problems" was able to top the Billboard Hot 100 for two weeks, giving Biggie his second number one hit in the US. The song hit number one after he had died. It was preceded by "I'll Be Missing You" by Puff Daddy featuring 112 and Faith Evans (meaning that Puff Daddy spent 13 weeks in a row at the top of the Hot 100) and was succeeded by "Honey" by Mariah Carey, which was also co ...
The Chronic is widely regarded as the album that re-defined West Coast hip hop, [12] demonstrated gangsta rap's commercial potential as a multi-platinum commodity, and established G-funk as the most popular sound in hip hop music for several years after its release, with Dr. Dre producing major albums that drew heavily on his production style. [15]
41. The Showboys – “Drag Rap” (1986) The ‘80s hip-hop song that influenced the sound of southern rap the most may have actually been made in Queens. A Hollis duo put together a novelty ...
On the US Billboard Hot Rap Songs chart, the song debuted at number 27 for the issue date of February 19, 1994, and entered the top 25 of the chart by climbing five places the following week to number 22. [25] The same week as its debut on the Hot Rap Songs chart, the song entered the US Hot R&B/Hip-Hop Songs chart at number 84. [26]